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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 121 results
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An allegory with Innocent X who is seated on horsback on the right, figures represting Rome in the lowe left
François Collignon
ca.1645–55
The Holy Family fed by Angels
Pietro Testa
ca. 1642–44
The garden of charity, woman representing Charity at right surrounded by children
Pietro Testa
ca. 1631–37
A Seated Female Figure Surrounded by Nude Infants
Pietro Testa
1612–50
The suicide of Dido lying on the pyre in the centre surrounded by figures
Anonymous, 18th century
1780
Stucco bas-relief with two male figures
Anonymous, 18th century
1700–1800
An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
Pietro Testa
1637–38
Diana on her Chariot, volume 2, plate 85 from "Monuments des Arts du Dessin"
Louise Bouteiller
1829
The departure of the prodigal son, shown at about to mount his horse, from a series of four prints
Pietro Testa
ca. 1645
The suicide of Dido who reclines on a pyre in centre
Giovanni Cesare Testa
1650–55
The sacrifice of Isaac by his father Abraham
Pietro Testa
ca. 1640–42
Two figures representing Sloth and Poverty
Anonymous, 18th century
1700–1800
The birth and the infancy of Achilles
Pietro Testa
1648–50
The adoration of the shepherds who gather at left, angels holding a banderole upper right
Anonymous, 18th century
1700–1800
The return of the Prodigal Son
Anonymous, 17th century
1650–1700
Io at the left as a cow, Jupiter on a cloud in the centre and Juno at the right with putti holding an eagle captive in the lower right
Pietro Santi Bartoli
1650–90
Self-Portrait
Pietro Testa
ca. 1645
The Holy Family with the infant Saint John holding an apple
Pietro Testa
ca. 1630
The Sacrifice of Iphigenia
Pietro Testa
ca. 1640–42
An allegory of painting
François Collignon
17th century
An allegory of Autumn, Apollo is in the sign of Scorpio above, and below appears a Bacchic scene of revelry, from "The Four Seasons"
Pietro Testa
ca. 1642–44
The rest on the Flight into Egypt
Andrea Scacciati
1740–71
The Adoration of the Magi, set before and architectural colonnade
Pietro Testa
ca 1650–60
Venus giving Arms to Aeneas
Pietro Testa
ca. 1638–40
Sinorix carried from the temple of Artemis trying to escape the effects of the poisoning
Pietro Testa
ca. 1640
The Holy Family with Attendant Angels
Pietro Testa
1612–50
The prophecy of Basilides; the priest on Mount Carmel divines the fate of the Roman Emperor Titus at the left, while Justice points to a vision of the dead Christ at the right
Giovanni Cesare Testa
ca. 1650
Three Lucchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague
Johann Michael Feichtmayr the Elder
1691
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
1648
The dream of St Joseph, who is sleeping at the right, the Virgin and Child by a cross surrounded by angels and many putti and with God the Father above
Pietro Testa
ca. 1635–37
Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting
Pietro Testa
1612–50
A young man at left standing between Vice and Virtue holding a shield flanked by figures; attributes and personifications of Virtue at left, satyrs, Pan and dancing figures representing Vice at right
Pietro Testa
ca. 1644
The martyrdom of Saint Erasmus who is prostrate having his innards removed
Anonymous, 17th century
1630–60
An allegory in honor of Innocent X who appears in a cartouche in the upper right, below are many figures representing Rome in the springtime of the golden age
Pietro Testa
1644
Putto at left reclining on sheaves of wheat, another at right carrying a sheave over his shoulder, an allegory of the seasons (Summer), an oval composition
Anonymous, 17th century
ca.1650–80
Three Lucchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague
Anonymous, 17th century
1650–1700
Study for the Etching Venus and Putti
Pietro Testa
1612–50
The dead Christ accompanied by angels at right
Giovanni Cesare Testa
1650–55
Sacrifice of Isaac: an angel presses against the dagger-bearing arm of Abraham, who stands next to Isaac on an altar, God the Father and an angel bearing a lamb approach from the left
Pietro Testa
ca.1645–50
Mary Magdalene in the desert, a cross borne by angels at the right
Pietro Testa
ca. 1630